Over The Shoulder

Payette_Lake_HBIt is one month today since we performed “The Territory” at Chamber Music Northwest.  A month seems like a good amount of time for a pause.  Long enough to let things settle down-not so long  that forgotten what all the fuss was about.

The “inevitable post-project letdown,” –which always catches me by surprise no matter how many years I’ve been doing this–was delayed this year.  The day after the final performance at St Mary’s Academy  I went right into solo papa mode so my wonderful wife, who had been shouldering the whole “run-our-daily-lives-while-my-partner-pursues-his-artistic-destiny” thing for far too long, could take a little restorative camping break.  Not surprisingly, my son Malcolm and I went the other way. We rolled out to Seaside and threw down at some skee-ball, bumper cars and arcade games.

After that I jumped right into The Shed, our PSU Intensive Summer Jazz Camp.   Four days of  all jazz all the time, 9 AM to 8 PM.  Did I say it was intensive?  Not that I’m complaining. We had some great young players, and it is inspiring to to be in the music with a bunch of people from sunup to sundown.  Needless to say I forgot all about post-project letdown for those four days.

No sooner did we turn out the lights on The Shed, than I got in the car and drove to  McCall, Idaho for a family vacation on the shores of beautiful Payette Lake, which I was privileged to enjoy thanks to the generosity of  my colleague Jeff Baker.  His family’s “cabin” – a euphemism that borders on the silly- right near the water is like a mountain paradise.  We chilled, we swam, we read books, we played foosball, we paddle-boarded, we sat in the sun, we ate ice cream, and then chilled some more.  And for a week I didn’t think about much of anything.

After a quick trip to Seattle the following Monday– (The Bolt Bus feels suspiciously similar to Greyhound when it is completely full, and the wi-fi conks out, as it did on both my trips) –and my “summer” was finally ready to start. And damned if the “inevitable post-project letdown” didn’t pick that exact moment to mosey up and slap me upside the head.  Surprise.

I’m happy to say it has done its dance and left the building–just in time to commemorate the one-month anniversary of “my big project.” And in the space left behind, I’m feeling  ready to look back at the endeavor so far. I’m also feeling energized to think about what is next- which is turning out to include some pretty awesome opportunities.  So it is time for mapping again. Time to sharpen the tools, check supplies, scout out new ground.

Meanwhile, here is a link to a recording of the 1st movement “Hymn to the Four Winds” from the performance at Kaul Auditorium.  Thanks to Matt Snyder for an awesome job of live recording.

http://www.instantencore.com/work/work.aspx?work=5074269

Think Differently.

Anita Tieleman

My friend Binnie Brennan sent me this link about a new way of bringing art to the people.

Lars Kaiser is a 35-year-old artist from Potsdam, Germany, near Berlin. He came up with the unique idea to put small art samples into vending machines so anyone can buy a piece of art any time of the day or night. Even Kaiser’s vending machines have been uniquely decorated to attract attention to the artsy wares inside. There are now about 100 of these machines found in bars, public buildings and on outside walls across Germany. Back in the 1960’s and ’70’s these vending machines sold condoms, gum or cigarettes, but have been refurbished to sell the artwork of around 140 professional artists now.

The Big Picture-Cultural Policy

tinou bao

Say we wanted to start from scratch.

How would we build a neighborhood, city, metropolitan area, state, country, world where the arts permeated the place?

Can we think bigger than a non-profit organization, or even an arts council?

How do we work on the cultural policy and urban planning level?

Can we sit the artists side by side with the policy makers and the planners from the first meeting?

What might things look like then?

Some links to peruse:

The Motherlode – Compendium, a country by country look at cultural policy in Europe.  You could write a dissertatation on the stuff in this site.

Look just a little bit under the surface there and you can check out:

National Cultural Canons as a Cultural Policy Response to Globalisation? (Does Portland have a cultural canon?  That would sure be  one way to establish a “Portland Sound”)

Interested in decentralization as a theme in Governmental policy?  See Norway ” During the 1970s major efforts were made to decentralise the cultural policy and administration system in Norway. Cultural affairs committees were established in most municipalities, and the municipal authorities gradually appointed directors and secretaries of cultural affairs. A similar system was developed at the county level and new grant schemes were introduced. In this way, substantial responsibilities were decentralized in order to bring decision-making closer to the general population.”

Could that work in the states?

Or how about the way France went about it.

I like the term “devolution” to describe making smaller, more purpose-driven agencies out of big conglomerated ones.

There’s more here I’m sure, but this seems like a good place to start digging.

Why business leaders should act more like artists

Photo by Terry Ballard

So you’ve got Seth Godin in his bestselling business book “Linchpin” preaching that to succeed in the world today, everyone must be an artist.

“Art isn’t only a painting. Art is anything that’s creative, passionate, and personal. And great art resonates with the viewer, not only with the creator.

What makes someone an artist? I don’t think it has anything to do with a paintbrush. There are painters who follow the numbers, or paint billboards, or work in a small village in China, painting reproductions. These folks, while swell people, aren’t artists. On the other hand, Charlie Chaplin was an artist, beyond a doubt. So is Jonathan Ive, who designed the iPod. You can be an artist who works with oil paint or marble, sure. But there are artists who worked with numbers, business models, and customer conversations. Art is about intent and communication, not substances.”

And here’s is a post from the Harvard Business Review

http://blogs.hbr.org/maeda/2009/12/why-business-leaders-should-ac.html

So the gauntlet has been thrown.

What do you think, you business majors out there?

“Nature’s Economy”

Here is an excerpt from a wonderful post by Jeff Todd Titon, ethnomusicologist , folklorist, musician, professor of ethnomusicology at Brown University.  His blog is called ‘Sustainable Music.  Find it here

http://sustainablemusic.blogspot.com/

The post is a wonderful discussion about the nature of sustainability in relation to the arts.  Of many interesting ideas, what sticks out for me is the following”

…an economics of sustainability that follows the path of the natural world: diverse, interconnected, appropriate in size, and looked after by humans who consider themselves caretakers, or stewards, not owners. Our efforts at cultural conservation result in better best practices when we think of sustainability in these terms rather than in the terms of the economists. Following this construction of nature we emphasize stewardship, not ownership; performance and community, not product and commodity; human rights, not property rights; and not only human rights but the rights of all living creatures. An ecology or an economy dependent on continuous growth must fail.

How does this change our models in the arts world?